Here we showcase some of the heavy hitters in our kit, but we have audio and lighting packages, as well as legs and heads, DJI Mavic 2 Pro and Ronin S2 and M drones/gimbals, batteries, ND/Filtration etc.



This tiny cube is both powerful and flexible. Shooting industry standard 6K RedCode RAW, you definitely won't be wanting for more. Whether mounted on a gimbal, car or just handheld, the global shutter will ensure the footage looks natural, even at high speed. Ours is equipped with a Kippertie Revolva locking RF-EF adapter with Cartridge S (0, 0.6, 1.2, 2.1 ND), CoreSWX V-Mount Battery Plate and 8-Sinn Cage.


The FX6 is an absolute workhorse. Full frame, dual base ISO, rapid AutoFocus and gyro-stabilisation this is an incredible documentary camera. The audio controls and inbuilt electronic variable ND enable us to use this camera as an all in one package, requiring minimal rigging or auxiliary systems.


LENSES (soon to be updated)

We have used a number of lenses of the last few years, and have found the Contax-Zeiss lenses to be some of the best. With the variety of shoots that we carry out, the glass we use must be durable, and these certainly are. They are also beautiful, with stunning out of focus areas and the renowned Zeiss micro-contrast. 

That being said, these don't fit every shoot we do, and we are building our different sets to match with the projects we work on, such as the Sigma 18-35mm f1.8 and Canon 70-200mm f2.8 IS ii.